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1996년, 남한으로 침투한 무장공비 26명 중 1명을 제외한 25명이 우리 국군의 작전으로 생포 또는 소탕되었다. 그러나 마지막 한 명의 남파 공작원만이 살아남아 도주한다. 그를 생포하기 위해 투입된 이는 ‘유령’이라 불리는 HID 북파 공작원. 과거의 흔적조차 남기지 않는 비밀 작전의 대가로 알려진 그는, 마지막 남은 무장공비를 쫓기 시작한다. 아이러니하게도, 남한의 유령은 공산권의 AK-47 소총을, 북한의 무장공비는 자본주의의 상징인 M16 소총을 들고 서로를 겨눈다. 두 사람의 치열한 추격전은, 결국 상대방의 총기를 쥔 채 숨막히는 사투로 이어진다.

Growing up with divorced parents, 15-year-old Haeun is left completely alone after losing her mother. Before she has time to grieve, she is confronted with a stack of unfamiliar documents filled with terms she has never seen before. They are the paperwork and administrative procedures she must complete to settle her mother's affairs and begin living on her own, but they are overwhelming for someone still so young. Her aunt visits from time to time and offers to help, yet her kindness seems to come with hidden intentions. With no one else to rely on, Haeun decides to seek out the father she doesn’t remember. After finally tracking down his phone number, she nervously calls, but only hears the ringing tone. He never answers. She tries again using her late mother's phone, but there is still no response. As a last attempt, Haeun prepares to leave him a voice message, but no words come out.

After surviving child abuse and the collapse of her marriage, Yeonok confronts the time that had stood still as she clears out her ex-husband's room. By day, she sells a book at a book fair documenting her marriage and its aftermath. By night, she explores desire and sensation through consensual BDSM practices, while questioning whether the control she has reclaimed over her body could become another form of violence. During a Shibari performance on stage, she faces the audience's gaze, suspended within that question.

这部电影让人想起了《爱，死亡和机器人》（2019 年），因为它尝试了科幻题材，而在短片中驾驭这一题材并非易事。其对出色视觉效果的大胆运用十分引人注目。影片还展现了为打造赛博朋克画面，在美术、拍摄和灯光方面所付出的巨大努力。这部短片的勇敢尝试，让我们对导演的下一部作品充满期待。（金 Nak... ）

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讲故事的人为什么要讲故事？这部作品讲述了 2600 年前希腊萨摩斯岛一位以奴隶身份生活的说书人留下的“故事”。关于那些打动人心、历经千年仍流传在人们心中的故事的精髓，以及讲述故事的人的内心。我希望文字的力量、舞台上描绘故事的无数动作、色彩和音乐能够共同为观众带来整体体验。

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